"Alexander Dodge’s scenic design, dominated by the shadowy cathedral, turns the City of Light into a crepuscular realm of danger and intrigue." - Charles McNulty, LA Times

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"While thesps change roles before our eyes and narrate the action in third-person direct address, Alexander Dodge’s huge set pieces roam, a vast row of cathedral bells descends and Howell Binkley’s lighting drenches the stage in the deep blues and reds of Chartres stained glass." - Bob Verini, Variety

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